Annette Philo was trained in fine art, she now works in video. Her films have screened, in the UK and internationally.

With an interest in structural films which present events, her aim is to pursue this form of film making into the digital era. By combining continuous takes which simultaneously converge as layers, the edit is performed through colour grading and selection, which she sees as the thickness of light, where the event makes its appearance.

The films often feature deer but they are not wildlife documentaries, their aim to open up a dialogue which questions what is seen.